THERE'S A DESTINATION
A LITTLE UP THE ROAD
FROM THE HABITATIONS
AND THE TOWNS WE KNOW
A PLACE WE SAW THE
LIGHTS TURN LOW
THE JIG-SAW JAZZ AND
THE GET-FRESH FLOW
PULLING OUT JIVES AND
JAMBOREE HANDOUTS
TWO TURNTABLES
AND A MICROPHONE
BOTTLES AND CANS
JUST CLAP YOUR HANDS
JUST CLAP YOUR HANDS
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
THAT WAS A GOOD
DRUM BREAK
PICK YOURSELF UP OFF
THE SIDE OF THE ROAD
WITH YOUR
ELEVATOR BONES
AND YOUR
WHIP-FLASH TONES
MEMBERS ONLY
HYPNOTIZERS
MOVE THROUGH THE ROOM
LIKE AMBULANCE DRIVERS
SHINE YOUR SHOES WITH
YOUR MICROPHONE BLUES
HIRSUTE WITH YOUR
PARACHUTE FRUITS
PASSING THE DUTCHIE
FROM COAST TO COAST
LET MY MAN KEN
WILSON ROCK
THE MOST
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHAT ABOUT
THOSE WHO
SWING BOTH WAYS
AC-DC'S
LET'S MAKE IT
OUT BABY
THERE'S A DESTINATION
A LITTLE UP THE ROAD
FROM THE HABITATIONS
AND THE TOWNS WE KNOW
A PLACE WE SAW THE
LIGHTS TURN LOW
THE JIG-SAW JAZZ AND
THE GET-FRESH FLOW
PULLING OUT JIVES AND
JAMBOREE HANDOUTS
TWO TURNTABLES
AND A MICROPHONE
BOTTLES AND CANS
JUST CLAP YOUR HANDS
AND JUST CLAP
YOUR HANDS
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
WHERE IT'S AT
I GOT TWO TURNTABLES
AND A MICROPHONE
I GOT PLASTIC
ON MY MIND
MAKE IT OUT BABY
LET'S MAKE IT
LET'S MAKE IT
OUT BABY
YEAH YEAH
YEAH YEAH
OW OOH